Why I Love to Sing?

            I’ve been talking a lot about Vocal Ranges, Vocal Registers, and Vocal Types.  Now, I want to put a little more “flesh” on those bones by providing you with some more definitions describing Vocal QUALITIES.  i’m not talking about whether a voice is “good” or “bad” but being able to describe and understand different, specific aspects of a voice that make it distinctive from any other voice.  Each of these characteristics can be learned, practiced, and utilized in order to create unique sounds for explicit purposes.  Years ago, my husband and I worked for the Pioneer Corporation who produced thousands of karaoke tracks.  I’m not talking about singing karaoke but creating the “sound-alike” tracks which people then mimic and sing to.  I once had to imitate 17 different voices in days, voices from Ella Fitzgerald to Dolly Parton to Whitney Houston.  In order to facilitate this feat, I had to study the original performances and then, intensely study and replicate the voc

         Okay, I PROMISE this entire post is all about Vocal types with no more interruptions.   For ANY of these types, don’t forget you still HAVE to warm up appropriately.   It’s also very important to realize that just because you are PRIMARILY one Vocal Type, this doesn’t mean you can’t also sing in other categories as well.   For the purposes of choral music, voices and music are divided by only four, distinct Vocal Types:   Soprano; Alto; Tenor; and Bass.   Within these parts, there are occasionally further subdivisions but these are not referred to as Contralto, Lyric or Dramatic, Spinto, or any other specific subgroup title.   Choral music is much more about vocal ranges within a piece of music, as opposed to Vocal Types.   As a performer from college years on, I had a large range, which meant I could sing Soprano, Alto, or Tenor in choir, kind of go wherever I was needed.   It can even be good for you to sing in different vocal parts to stretch your voice, and to w

    Those of you that study with me know I’m all about building a “toolbox” for your voice.  If you’ve been reading the earlier blog posts, you should already have lots of “Breathing Tools”, “Vocal First Aid Tools”, “Vocal Register Tools”, “Self-Esteem Tools”, “Vocal Practice Tools”…LOTS of different and varied devices, tricks, tips, exercises, and disciplines.  NOW, we’re going to talk about “Types of Voices” and their potential, approximate ranges.  I will start at the LOWEST vocal type and move up.  Voice classifications are only always used for Classical and Choral music, but they are very useful for: choosing song keys; general information; understanding Vocal Color and Texture; and understanding your voice with regard to other voices, as well as the different ways to produce those sounds.     First, let’s look at a few definitions:  tessitura; timbre; vocal weight; and passaggio.   These are very specific terms that have to do with your voice, so they are important to understand.